Becky Tong
Finding Her Own Frequency
Raised around Radio 1 and Ibiza nightlife, Becky Tong is now confidently shaping her own identity within electronic music culture.
You were born into a world of music thanks to your father…
Absolutely. Some of my happiest memories growing up were sitting in my dad’s studio at home listening to him record his Radio 1 shows. It was a quiet introduction to sonic discovery and learning how personal taste develops through music.
How did DJing begin for you?
Istarted DJing with a friend when I was around 18 or 19, playing lots of hip hop and R&B edits. We definitely got opportunities because of who our dads were, and that naturally came with assumptions. It also made me question what my own sound and identity really were.
What do you think your dad has learnt from you?
You’d have to ask him that! But a lot of our conversations now are about how much the music industry has changed and how we make it more balanced and accessible for younger generations. He’s very aware of that through building his DJ Academy and passing knowledge on.
Where have you had to prove yourself the most?
Probably to myself more than anyone else. When people make assumptions about your journey, you naturally feel the need to prove your work ethic and identity beyond that.”
What keeps drawing you back to Ibiza?
I still feel deeply connected to the island’s energy and community. Some of my favourite memories of clubbing happened here — my mum even took me to Space when I was 13… eek!
Paloma Le Friant
World Hold On, A New Generation is Here
Raised between California and France, Paloma Le Friant is confidently shaping her own free-flowing identity within electronic music culture.
When did you first understand what your father Bob Sinclar actually did?
I grew up mostly in California, so it wasn’t until I moved back to France that I really understood. People would constantly come up to me and talk about my dad and his work. Seeing how much he meant to people made me realize how big his impact actually was.
What made you want to follow in his footsteps—and did he ever try to stop you?
It was actually my brother who inspired me. He’d been DJing since he was 12, and in 2023 I saw him opening for my dad—so confident and completely in his element. That moment made me want to try it myself. My dad never tried to stop me.
Do you feel more pressure because of your background?
Definitely. When you’re the child of a well-known artist, people often take you less seriously. They assume you’re relying on your name and question your talent.
Does your generation approach DJing differently?
Yes, completely. Older generations had something special—crowds felt more connected, with no phones, no pressure, just freedom and music. Today it feels more commercial, less about pure connection.
Is your sound defined or evolving?
I want to master multiple genres and move between them freely—house, afro, even more experimental sounds. I don’t want to be limited.
What do you want people to feel in your sets?
I once played to a crowd who knew nothing about me, and it was the best feeling. I just want people to connect, let go, and dance as much as I do.
Raphael Le Friant
Raised beneath the baseline
Raised between Paris, Ibiza and Los Angeles, Raphael Le Friant blends fashion, freedom and French house into his own identity.
Your earliest memory of music?
Honestly? My bed in Los Angeles! My dad’s studio was right beneath my room, and every morning he’d wake me up blasting his tracks, with the bass shaking everything. I loved it.
First time in a DJ booth?
My dad has taken me everywhere with him since I was about seven, but my strongest memories are from Ibiza at Pacha. The sound system was incredible—ears would still be ringing when we left. I’d watch the decks while my sister danced behind them.
What made you want to become a DJ?
At first, I wasn’t that interested. My dad gave me Pioneer 2000s, but they sat unused until around 2019. I got into it later, when I had more time. He showed me a few techniques, and that was it.
Did it create pressure or freedom?
No pressure at all. We’re very close as a family, we support each other and grow together. It’s all positive.
Does your generation see DJ culture differently from you dad’s?
Today, anyone can become a DJ, and it can seem like an easy, well-paid job. For my dad’s generation, it was pure passion—they fought their way up without knowing if it could even be a career. Back then, it wasn’t about money—it was about love for the music.
Other creative influences?
Fashion has always been huge for me. In 2020, I launched my brand About Dreams, sourcing vintage pieces globally and customizing them for my Paris store. I create special outfits when I DJ, and people really respond to that—that’s what matters.
Dunmore Brothers
Beyond The Family Label
Raised inside the world of Defected Records, the Dunmore Brothers are forging darker, deeper sounds and rapidly earning recognition.
What was your childhood like in House Dunmore?
We grew up waking each morning to house music blasting from our dad’s record room. He’d be playing tracks he’d signed or sets he’d performed as a DJ. Even our family holidays revolved around his touring schedule. Without realising it, music was ingrained in us from a very young age.
How did DJing begin?
We started as bedroom DJs at 11 (Lucas) and 15 (Louie). One Sunday evening, while our dad was playing in Camden, Louie messaged the promoter—who he knew—to see if Lucas could get in. There happened to be a spare slot at the end of the night, and we were invited to play an impromptu B2B. From that moment on, we became known as the Dunmore Brothers.
What advice did your father give you early on?
When we first showed interest, he bought us starter decks and loaded a USB with tracks. As we improved, his advice grew with us. He’s always stressed that it’s a competitive industry with no shortcuts—you have to put in the hard work. He’s also our biggest critic.
How did you develop your sound?
Over time, our taste naturally shifted toward deeper, darker sounds than our dad’s. A trip to Tulum in 2023 was a turning point. Experiencing events like Day Zero and Circoloco in the jungle exposed us to deep, driving, Latin and tribal influences, which shaped our direction.
How has being brothers strengthened your brand?
Our bond allows complete honesty. We DJ separately but share a similar library, which makes our B2B sets dynamic and unpredictable. When the direction shifts and the crowd follows, it’s a special feeling.
SPOOKY CASH CASH
Finding His Own Groove
The son of Groove Armada’s Andy Cato was raised between French studios and UK rave culture, but now Spooky Cash Cash is crafting hypnotic electronic sounds entirely of his own.
How did the musical journey begin?
I was born into a world of music and have always been surrounded by it. Most of my childhood in France revolved around that passion—mainly live music, alongside afternoons experimenting on my dad’s Ableton setup. A trip back to the UK, though, changed everything: a weekend in a mushroom barn with decks and huge speakers sparked something that never left me.
Earliest memory of music?
I started learning drums at four and remember “playing along” with my dad on bass—those early moments really stuck.
How much of your taste was shaped by your father, and how much did you develop independently?
At first, I was into Marshmello—mostly because of the helmet. Meanwhile, my dad was constantly playing me Chicago house records. Over time, I connected with the sound and culture, especially through drumming long, hypnotic Afro grooves. That led me to explore artists like Frankie Knuckles, DJ Pierre, and Sasha.
Do you and your father speak the same musical language?
There are differences in what we make and play, but in the studio we share those “turn it up” moments instinctively. As DJs, we approach sets similarly— reading the crowd, understanding the system, and shaping the journey.
How do you see electronic music evolving?
Technology has made it harder to stand out—everyone has access to the same tools and endless samples. Staying original is a challenge. My dad had the advantage of 7 seconds of sampling time and no phones at the parties.
